In the late 2000s, veteran dance indie label Robbins Entertainment was seeing major success with one of their artists, Cascada, which had a number of Billboard-charting hits that broke through into the pop realm, a few years before EDM finally became mainstream. Another artist on the label, September, probably should have seen at least the success of Cascada, with a diverse, pop-friendly set of songs that were many times stronger than Cascada’s output. Continue reading →