I feel so woefully behind sometimes when I am late to the party to discover something really cool, but it didn’t stop me from being amazed by it nonetheless. This week I was introduced to the wonder that is Scott Bradlee’s Postmodern Jukebox thanks to a friend’s Facebook post. Continue reading
The dance genre is a particularly fickle one; careers aren’t made often, and even when they are, many people are more familiar with the songs than the artists behind them. To a certain degree it’s always been a bit of a faceless medium, with producers driving multiple “groups” under different names, fronted by different singers. Sometimes singers record with different groups. It’s a somewhat incestuous beast, making it all the more remarkable when a career develops. As such, Ultra Nate’s story is pretty amazing. Continue reading