How woefully behind am I on my blog that I saw Andrew McMahon live in April, saw Amie in Portland the week it came out (starting to become something of a tradition, however unintentionally, that we see each other upon the release of a new McMahon disc) and it’s now been roughly two months since.  As such, this is less a first-reaction review as it is a final digestion of his first music as a true solo artist, following his runs in Something Corporate and Jack’s Mannequin. Continue reading →