The dance genre is a particularly fickle one; careers aren’t made often, and even when they are, many people are more familiar with the songs than the artists behind them. To a certain degree it’s always been a bit of a faceless medium, with producers driving multiple “groups” under different names, fronted by different singers.  Sometimes singers record with different groups.  It’s a somewhat incestuous beast, making it all the more remarkable when a career develops. As such, Ultra Nate’s story is pretty amazing. Continue reading →